A world


A world where one thing is worth no more than another; where every existential singularity is methodologically devalued; where in particular, the affects of contingency, relative to old age, illness, madness, are emptied of their existential stigmata and become mere abstract parameters, managed by a network of welfare support services — everything bathed in an ineffable but omnipresent atmosphere of anxiety and unconscious guilt.

--------------------------- Schizoanalytic Cartographies p214



Digital Seungmu-The Body without Organs

the organism


Dismantling the organism has never meant killing yourself, but rather opening the body to connections that presuppose an entire assemblage, circuits, conjunctions, levels and thresholds, passages and distributions of intensity, and territories and deterritorialization measured with the craft of a surveyor.



The Stripper brought ‘down’ by her eyes

The Stripper brought ‘down’ by her eyes?

in this friendly look the gaze of  the viewer is ‘sucked’ in by a question: what is the relation of substance and the difference  holding its own against generic definition, but delay and delayed gratifictation produces strains of resubjectification of personism and the deterritorialization of the ‘sujet’ leads to flatter lies about objectivity. ie, the surface of a photo: the pretenses of 19 c portraiture have collapsed as the living being ‘contained’ in the frame restructures its escape to lines of flight”
The Stripper disclosed as mutant subjectities
Guattari in conversation with the editor.

 Felix Guattari in a weird conversation with this editor


Amiri Baraka (1934-2014): Poet-Playwright-Activist Shaped Revolutionary Politics, Black Culture


NERMEEN SHAIKH: —how other leaders in the black community responded to him?

LARRY HAMM: Well, first of all, it’s important for people to understand that Baraka did not make this change suddenly. First and foremost, Baraka pointed young people like me to Africa and to African leaders, revolutionary leaders like Kwame Nkrumah, like Amílcar Cabral in Guinea-Bissau, like Samora Machel in Mozambique, like Mwalimu Julius Nyerere in Tanzania. You cannot read these people and not eventually move to the left, because many of them either call themselves socialists, Marxists or Marxist-Leninists. So, Baraka and the members of the Committee for a Unified Newark, members of the Congress of African People, were studying these people. So, for me, from an intellectual point of view, it’s almost inevitable that they would move in that direction. And early on, I can remember, you know, Baraka followed a brand of black nationalism called Kawaida. But I can remember when the poster came out that condensed Kawaida down to the three cutting edges: black nationalism, pan-Africanism and revolutionary socialism. And that was as early as 1972, I believe.

KOMOZI WOODARD: He was way ahead. He was way ahead.

_________________________________ Catch up O you molecular song________'the great white stomach     which yet rules  and tries to digest the world'_____Amiri Baraka  ______ _________________________________Poetry is a way of Life. Amiri lived that life the way he saw fit ~ many readers/ auditors and fit ~ _______________________________________




Stop Watching Us:

StopWatching.us is a coalition of more than 100 public advocacy organizations and companies from across the political spectrum. Join the movement at https://rally.stopwatching.us. This video harnesses the voices of celebrities, activists, legal experts, and other prominent figures in speaking out against mass surveillance by the NSA. Please share widely to help us spread the message that we will not stand for the dragnet surveillance of our communications. The Electronic Frontier Foundation (EFF) is a nonprofit civil liberties law and advocacy center that has been fighting the NSA's unconstitutional spying for years. Learn more at https://www.eff.org/


..untold history...stalin .. soviet union...

 Peter Kuznick (co-author with Oliver Stone of Showtime's Untold History of the United States): Dealing with the role of the Soviet Union in WWII was the most sensitive and complicated issue faced by the series


Bonjour à tous et toutes,

 Bonjour à tous et toutes,

J'ai le plaisir de vous inviter
à notre soirée de présentation
du n°80 de la revue Chimères

"Squizodrame et schizo-scènes"
que j'ai coordonné
avec Anne Querrien et Flore Garcin-Marrou

samedi 30 novembre à la Bellevilloise

de 19h à 22h30 :
lectures - performances - projections - discussion
en compagnie des auteurs et artistes qui y ont participéla Bellevilloise - salle du Forum
19-21 rue Boyer Paris 20° - métro Ménilmontant
bar et restauration légère sur place

Pour la revue Chimères,
Marco Candore




there's nothing worse than the neurotics of 'creativity' that , those that, without wanting to be bad  ,, haunt the community   or haunt,  or hang on   and out at the nervous edge of the imaginative ... these are the literal aliens whose creationcapaacity's been swlamped by the .
  harsh critical machine of the paranoids  . those that them from the other fanet.

----------------what cacophony rings at their ears~ heralds to the death sound~

_______________What hooey~ and malarkey~



'Lotta poetica...


Could it be that poetry, as a prophetic forebear and pained translator of the ‘language of acts’, is, as a mode of singularisation, what enables me to embark on this mutual de-conditioning and to settle upon forms of affective transmission and distributed vulnerability that palpitates the senses to become, perversely, ‘organs of knowledge’?


____1_________________How to write or speak, then, when the cruelty of everyday tyrants inhabits the silt of nerves and their jealously guarded power inhibits the very possibility of perceiving?

2_______________________________Would I choose a defensive verbosity, a fake erudition, an overly complex knowledge-wrack that would preserve me as self-possessed and self-regarding in what I think I know?

Would I rather choose the ‘language of acts’, a language of unmediated suffering (phôné), a

scream of unblocking, that can claim no alphabet and that, as an affective transmission, seems

to summon the reticent and the unreachable across regions?

SnIpSnAppEd from
Howard Slater at Mute

Howard Slater is a volunteer play therapist and writer who lives in East London


Aesthetic Education Expanded is a series of 12 articles commissioned by Mute and published in collaboration with Kuda.org, Kontrapunkt, Multimedia Institute, and Berliner Gazette. It is funded by the European Commission. A central site for all contributions to the project can be found here: http://www.aestheticeducation.net/. The series looks at the contemporary afterlife of the project of ‘aesthetic education’ initiated in the 19th century, from the violent imperatives of training and ‘lifelong learning’ imposed by capitalism in crisis to informal projects of resistance against neoliberal pedagogy and authoritarian repression.

Expanding the scope of the aesthetic in the tradition of Karl Marx to include everything from anti-austerity riots and poetry to alternative and self-instituted knowledge dissemination, the series encompasses artistic, theoretical and empirical analyses of the current state of mankind’s bad education and attempts to open up an understanding of what is being done against capital’s massive assault on thought and action whether in reading groups or on the streets of a world torn between self-cannibalisation and revolt.